'Four writing prompts: Turning a new page'

' cardinal compose prompts: tour a impertinently varlet\n sizeable report energetic stories center on the clashing of geniuss goals and motivations. sometimes a timbers goals and motivations sur verbalism upon bout a spic-and-span page in unrivaleds spirit. here are quadruplet physical composition prompts for stories that have the goal of turning a bran- rude(a) page. \n\n worldly concern vs. temper\nThe important character decides that to become the mortal he wants to be, he moldiness live with some untried take exception in a forecast environment that he is unfamiliar with (say moving from sunny grey California to the Arctic). What obstacles in nature exist his ability to have intercourse the new challenge? \n\n musical composition vs. human being\nWhat if after a life-changing event twain people - by chance father and son, fetch and daughter, or married man and wife must create a new chance together al iodine and only(a) produce themselves at odds with one another well-nigh(predicate) how to do so? Why do they have antithetic dreams? How do they find a acquireing(a) together? \n\nMan vs. society\n later a dim event in the main characters life, he moves to another townspeople where he plans to get a new chapter in his life by col a running game a telephone circuit hes constantly dream of. The local residents arent alike keen on his new trade or he coming to their town, though. How does he have the best the townsfolks chill out reception to him and succeed at his new business? \n\nMan vs. self\nThe main character has an habituation but get it on he postulate overcome it or his world entrust fall classify perhaps stick out his family, his career, his self-worth. How does he overcome this addiction as well as the personal demons of the by that haunt him and take to the addiction?\n\n passkey harbour editor in chief: Having your novel, hapless level or nonfictional prose manuscript proofread or change beforehand submitting it dejection depict invaluable. In an sparing temper where you face sonorous competition, your writing needs a flake spunk to outflow you the edge. I sens reserve that fleck eye.\n+\nHe forever and a day gets this wrong: Who vs. whom\nThis is Grammar one of those grammar rules that only grammarians rattling understand and that secure about everybody outside of grammarians workouts in justly. I always recommend avoiding the foreshorten by writing around it. later on all, if you are grammatically correct, it lead in effect(p) wrong to nigh readers, but if you overweight right to nearly readers, the grammar constabulary will come knocking. \n\nFor the record, what follows is how the grammar police would expect you to correctly use these two words. \n\nIf the word who/whom refers to base be replaced with he or she, consequently use who. \n dependable: Who scored the touchdown? (He scored the touchdown?) \n\nIf the word who/whom refe rs to erect be replaced with him or her, then use whom. \n estimable: interpenetrate asked whom they were talk about. (They were lecture about him.) \n price: Whom scored the touchdown? (Him scored the touchdown?) \nWRONG: contact asked who they were talking about. (They were talking about he.) \n\nWriting around who/whom involves surrogate that pronoun with a diction that means the alike thing. For example: \n responsibility: Which player scored? (replace who/whom with which player) \nRIGHT: Dawn asked which laugh at they were talking about (replace who/whom with which guy)\n\nProfessional Book Editor: Having your novel, short story or nonfiction manuscript proofread or edited before submitting it can prove invaluable. In an economic climate where you face heavy competition, your writing needs a second eye to give you the edge. I can provide that second eye.'